|Studio album by Kylie Minogue|
|Released||10 November 2003|
|Recorded||March - August 2003|
|Kylie Minogue chronology|
|Singles from Body Language|
3 November 2003
10 March 2004
28 June 2004
"Body Language" is the ninth studio album by Kylie Minogue, released on 10 November 2003 by Parlophone. Following the massive commercial success of her eighth studio album Fever (2001), Kylie enlisted a diverse group of writers and producers to aid in creating a new album, including Cathy Dennis, Dan Carey, Emiliana Torrini, Johnny Douglas and Mantronix among others. Influenced by the musical works of the 1980s and artists like Prince and Scritti Politti, Body Language musically differs from Kylie's previous albums, which mainly featured disco-oriented dance-pop tracks, and instead explores genres like synthpop, electroclash, R&B, and hip hop. Many tracks in Body Language contain references to songs from the 1980s and lyrically, the album touches upon themes of enjoyment, flirting, and sex.
Three singles were released from Body Language. "Slow" was released as the lead single in November 2003 and was a commercial success, peaking at number one on the singles charts of Australia, Denmark, Spain and the United Kingdom. "Red Blooded Woman" was released as the second single in March 2004 and reached the top five in Australia and the United Kingdom. "Chocolate" was released as the third and final single in June 2004 and peaked inside the top 10 in the United Kingdom. Kylie performed a one-off concert show held at entertainment venue Hammersmith Apollo, London, on 15 November 2003 to mark the release of the album. No tickets were publicly made available for sale and only fans with invitations were allowed to attend the show, which was entitled "Money Can't Buy".
Upon its release, Body Language received generally favourable reviews from music critics; many complimented Kylie for experimenting with new genres and the overall production of the album. Some critics, however, said that many songs lacked catchy material and were not suitable for dancing. Commercially, Body Language performed well, although it was not as successful as Fever. It peaked at number two on the albums chart of Australia and was certified double-platinum by the Australian Recording Industry Association (ARIA). In the United Kingdom, Body Language peaked at number six and was certified platinum by the British Phonographic Industry (BPI). Elsewhere, the album performed well in Austria and Switzerland. Body Language became notable for displaying another change in Minogue's persona and is cited as an example of her numerous "reinventions".
Background and development Edit
The work of various artists from the 1980s, such as American singer-songwriter Prince (pictured), influenced the development of Body Language.
In October 2001, Kylie released her eighth studio album Fever. The disco and Europop-influenced dance-pop album became an international commercial success, debuting at number one on the record charts of Kylie's native Australia and the United Kingdom. It was Kylie's first album to be released in the United States since her second studio album Enjoy Yourself (1989), and became her biggest commercial success in the region after peaking at number three on the Billboard 200 chart. Fever was certified seven-times platinum in Australia by the Australian Recording Industry Association (ARIA), five-times platinum in the United Kingdom by the British Phonographic Industry (BPI), and platinum in the United States by the Recording Industry Association of America (RIAA). With worldwide sales over six million copies, Fever became Kylie's highest selling album to date. The success of the album, particularly in the US, was credited to the commercial impact of its lead single "Can't Get You Out of My Head", which reached number one in 40 countries, including every European country except Finland, and Australia and New Zealand. "Can't Get You Out of My Head" sold over five million copies worldwide, becoming Kylie's highest selling single to date and also one of the best-selling singles of all time.
Soon, Kylie began work on her ninth studio album Body Language. Aiming to create a dance-pop album inspired by electronic music from the 1980s, Kylie enlisted collaborators such as Cathy Dennis, Dan Carey, Emiliana Torrini, Johnny Douglas and Mantronix. In an interview with VH1, Kylie explained how 1980s music, had influenced her, saying:
Talking further about Scritti Politti, a British post-punk band, Kylie reminisced about her collaboration with the band's frontman Green Gartside, who provides vocals on the track "Someday", saying, "To this day I haven't met him! I left a message on his answering machine, saying, "Hi, it's Kylie! I just wanted to say thanks so much! You sound brilliant!" "After Dark" was co-written by Dennis, who had previously co-written "Can't Get You Out of My Head" for Kylie. Torrini, who co-wrote "Slow", revealed how she was approached for writing the song, saying "It was like I had just accidentally walked into the line of fire with, "Hey! You There! It was all quite surreal. I still think Kylie's people were trying to call Jamelia, and they just got the wrong number. It'd be much more funny if that is how it actually happened". The recording of Body Languagetook place during the summer of 2003, in locations such as London, Ireland, and Spain.
Musical styles and lyrical content Edit
Inspired by music from the 1980s, Body Language deviates from Kylie's usual disco-influenced dance-pop style, evident on albums like Light Years (2000) and Fever, and instead explores genres like synthpop, electroclash, club and R&B. In comparison to her previous work, Body Language is a "slower-burning record" and begins with the song "Slow", a "minimal" and simple track which serves as a primary example of the synthpop-styled production of the album. Adrien Begrand from PopMatters compared it to "More More More", the opening track of Fever, saying "In contrast to the pulsating, hi-hat driven dance beat of Fever's "More More More", Body Language gets off to a more understated start". Other synthpop songs on the album include "Still Standing" and "Promises", which make use of "buzzing, low synth lines driving the beats, and chord flourishes that sound straight out of 1984". The former track also displays influences of nu-disco and club music. Many songs on Body Language are influenced by R&B and hip hop music, two genres Kylie newly experimented with on the album. "Red Blooded Woman" "blends the 1980s sound with an almost garage-like beat" and contains a "Boy! Boy!" hook and "la la la" bridge. Critics felt its production was similar to that by American hip hop and R&B producer Timbaland. Elements of funk are also present and are notably clear on tracks like "Sweet Music" and "I Feel For You". "Secret (Take You Home)" received considerable coverage as it features a "coquettish" rap section delivered by Kylie. Body Language also contains ballads such as the quiet storm-influenced "Chocolate" and "Obsession". Kylie's vocal delivery on the album is mostly seductive and breathy in tone, such as in songs like "Slow" and "Chocolate", although the track "Obsession" features raspy vocals.
Critics noted references and similarities to 1980s pop music throughout the album. Adrien Begrand from PopMatters found the hook of "Sweet Music" similar to those in songs by Prince and INXS. "Still Standing" was described by Helen Pidd from The Guardian as "a magnificent blend of Prince's "Kiss" and Peter Gabriel's "Sledgehammer"". "Red Blooded Woman" contains a reference to British band Dead or Alive's 1985 song "You Spin Me Round (Like a Record)", in the line "You got me spinning round, round, round, round like a record". The title of "I Feel For You" is the same as the 1979/1984 song by Prince and Chaka Khan, although it is not a cover of the song. "Secret (Take You Home)" directly refers to urban contemporary band Lisa Lisa and Cult Jam's 1984 song "I Wonder If I Take You Home", both in its title and refrain. The line of the song in which Minogue sings "don't confuse emotions with the pleasure principle" also refers to American recording artist Janet Jackson's 1987 song "The Pleasure Principle".
Lyrically, Body Language touches upon themes like enjoyment, flirting, sex, and "partying like it's 1987 all over again". In an interview with VH1, Kylie was asked why the lyrics on the album "sound more personal than they might have been a few years ago", and she responded by saying "Some of that could be just chance! I wrote lyrics that were intensely personal to me on an album a few years ago. Maybe people know me better now, and therefore, if a songwriter pitches me a song, they might tailor it [to fit me]. I get the lyrics of a tune and interpret them my way". Although the lyrics of "Slow" seem like an invitation to the dance floor, Kylie revealed that "it's about how time and space have a different meaning when you meet someone [you really like]". In "Sweet Music", Kylie sings about the "magic of the modern singer/producer partnership" in lines like "I think we're on to something/Your taste it mirrors mine/So hot and in the moment" and "Let's make this demo right". The song also makes use of double entendre in some lines. Similarly, "Chocolate" is "packed with saccharine innuendo". "Secret (Take You Home)" contains various metaphors that compare flirting and sex to car racing. Ballads like "Obsession" deal with issues of loss and the ending of a relationship.
Body Language was released on 14 November 2003 in Australia, while in the United Kingdom it was released three days later. In the United States, Body Language was released on 10 February 2004. The cover art of the album, as well as other promotion shoots, show Kylie striking a pose in a black and white striped crop top, which reveals her midriff, and low-cut pants. Her appearance is similar to that of French actress and singer Brigitte Bardot, who was regarded as the "first foreign-language star ever to attain a level of international success comparable to America's most popular homegrown talents" and one of the best known sex symbols of the 1950s and 1960s, frequently cited as the "archetypal sex kitten" and "sex goddess". Kylie described the promotion shoots as "the perfect mix of coquette, kitten and rock 'n' roll", and revealed that "We shot it on location in the South of France, so it was [easy to] channel the spirit of [Brigitte] Bardot. She's a great iconic reference, particularly that period where she was working with Serge Gainsbourg". The title of the album was taken from a line from the song "Slow" in which Kylie sings "Read my body language".
"Slow" was released on 3 November 2003 as the lead single from Body Language. The song garnered critical acclaim, with Kylie's breathy and seductive vocal delivery receiving particular praise. Commercially, the single was a success. It debuted at number one on both the Australian Singles Chart and UK Singles Chart. In the latter region, it became Kylie's seventh number one single and made her a record-holding female artist for spending the longest duration as a UK chart topper. Elsewhere, it reached number one in Denmark, Spain, and on the US Billboard Hot Dance Club Songs chart. In Australia, "Slow" was certified platinum by the ARIA for shipments of 70,000 units. The accompanying music video for "Slow" was directed by Baillie Walsh and was shot in Barcelona, Spain. It features Kylie and a number of beach models performing synchronised choreography to the song while sunbathing next to the Piscina Municipal de Montjuïc swimming pool.
"Red Blooded Woman" was released as the second single on 10 March 2004. Critics praised its radio-friendly sound and lyrical content. The song performed well on charts, peaking at numbers four and five in Australia and the United Kingdom, respectively. An accompanying music video for the song was directed in Los Angeles by Jake Nava, and features Kylie performing dance routines in various locations.
"Chocolate" was released as the third and final single on 28 June 2004. It received mixed reviews from critics, some of whom praised its sensual nature but criticised Kylie' vocals for being over-processed. The song was a moderate commercial success, peaking at number six in the United Kingdom but narrowly missing the top 10 in Australia. It became Kylie' 27th single to peak inside the top 10 in the UK. Dawn Shadforth, who had previously directed the video for "Can't Get You Out of My Head", collaborated on the music video for "Chocolate" which sees Kylie and a number of backup dancers performing a ballet-like dance routines as a tribute to Metro-Goldwyn-Mayermusicals.
A one-off concert show was held at entertainment venue Hammersmith Apollo, London, on 15 November 2003 to mark the release of Body Language. The show was entitled "Money Can't Buy" as no tickets were publicly made available for sale and only fans with invitations were allowed to attend the concert. The 75-minute-long concert cost one million pounds to set up and display manufacturer Barco was hired to provide LED displays as backdrops to Minogue's performances. The singer wore five different costumes during the show which were designed by fashion houses like Chanel, Balenciaga, and Helmut Lang. 4000 seats were made available for viewing the show and while most werereserved for invited guests, some tickets were auctioned at a charity ball for the "Full Stop" campaign by the National Society for the Prevention of Cruelty to Children (NSPCC). The show was directed by Kylie's stylist and friend William Baker, with musical arrangement and choreography being handled by Steve Anderson and Michael Rooney, respectively. The setlist of the concert show was composed primarily of songs from Body Language; other songs were taken from Impossible Princess (1997), Light Years, and Fever. The show was split in four acts: "Paris By Night," "Bardello", "Electro" and "On Yer Bike". "Still Standing" and "Red Blooded Woman" were performed in the first act, "After Dark" and "Chocolate" in the second, "Slow" and "Obsession" in the third, and "Secret (Take You Home)" in the last. The performances were recorded for inclusion in the DVD recording of the event, which was released as Body Language Live on 12 July 2004. The DVD was certified platinum and gold in Australia and the United Kingdom, respectively.
|The Irish Times|
Body Language received generally positive to mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Body Language received an average score of 62 based on 17 reviews which indicates that the album received "generally favourable reviews". Chris True from AllMusic complimented Kylie for expanding her "horizons" and felt that the album was consistent and worked as a "piece", calling it "stylish without being smarmy, retro without being ironic". He favoured the overall production of the album and praised Kylie for displaying a "sense of class", which he felt was lacking in the work of female artists like Britney Spears, Christina Aguilera, and Madonna; he concluded by labelling Body Language a "near perfect pop record" and "what may well be the best album of her [Kylie's] career". Keith Caulfield from Billboard was also positive in his review and complimented Kylie for selecting a talented creative team, saying "The sexy, solid set is glued together by danceable beats and Kylie's knack for picking great songs and producers." The The Irish Times review of the song called the album a "worthy successor to 2001's smash hit Fever, a supremely danceable collection of electro-pop songs that's clearly in thrall to the 80s" and complimented Kylie's versatile vocal delivery. Ethan Brown from New York was greatly impressed by opening track "Slow", and commented that most of the songs on the album "mimic its sound, none of the other songs on Body Language comes close to the achievement of "Slow"". Sal Cinquemani from Slant Magazine felt Body Language was a better album than Fever, calling it "less immediate and more experimental, a midway point between the alternative/electronica of 1997's Impossible Princessand Kylie's more mainstream post-millennium work", and praised it for being cohesive. He also complimented Kylie's "willingness to try something new – even if it's within the confines of dance-pop – is what's made her an international sensation 15 years running". Rob Sheffield from Rolling Stone favoured the sensual nature of the album, calling it "fantastic" and that "At thirty-five, she's ten times hotter than she was ten years ago – on Body Language, Kylie Minogue definitely sounds like she has a few more tricks stored on her hard drive than Britney [Spears] or Christina [Aguilera]".
Chris Willman from Entertainment Weekly called it Kylie's "Madonna-meets-Mirwais move" and felt that her exploration of new genres is "ludicrously enjoyable", although he opined that the album was "synthetic" and "all Body [sic] no soul". Helen Pidd from The Guardian favoured the blend of 1980s musical styles on the album, but felt that it lacked danceable songs, saying "Problem is, as with the majority of other tracks – including, most disappointingly, the Dennis-penned "After Dark" – you would be hard pushed to dance to it, which could well be Body Language's downfall". John Robinson from NME gave Body Language an overall positive review and called it "an extremely tastefully done, soulful modern r'n'b record", but felt that it "fails to live up to its predecessor [Fever]". Likewise, Adrien Begnard from PopMatters felt that Body Language lacked the "undeniably catchy" material which was present in Fever, but praised the overall production and the first half of the album; he concluded that "Even though Body Language is a bit of a misstep for Kylie, there's a sense of class to it" and that "Britney [Spears] could learn a thing or two". The Spin review of the album commented that Minogue "wears the '80s well" and praised the dance-oriented songs on the tracklist, although they criticised the ballads and pointed out that "[at times] Kylie's vocals are so over-processed that they barely seem to exist at all". On the other hand, Andy Battaglia from The A.V. Club opined that the ballads "work" and concluded that "Body Language shows Minogue as a surprisingly impressive presence in spurts, but she sounds better with her pleasure engine revving at full purr".
|2.||"Still Standing"||Baby Ash||3:40|
|3.||"Secret (Take You Home)"||
|5.||"Sweet Music"||Baby Ash||4:11|
|6.||"Red Blooded Woman"||Douglas||4:21|
|9.||"I Feel For You"||Electric J||4:19|